Actions of Transfer: Women's Performance in the Americas
Presented by The UCLA Center for Performance Studies

November 20-23, 2008
University of California, Los Angeles
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This four-day event, co-sponsored by the Hemispheric Institute of Performance and Politics, will include performances and invited speakers along with round table discussions and workshops. It brings together women performers/activists from throughout the Americas and scholars who think about performance as a mode of embodied transmission and social intervention. The event will explore issues of indigeneity, gender and sexuality, transnational/global encounters, labor, domestic violence and access to material resources. Actions of Transfer is being held as a sister event with the inauguration of Centro Hemisférico/FOMMA, a joint research/cultural center and performance space in Chiapas, Mexico, which will take place in San Cristóbal de las Casas on August 28-29, 2008.


Featured participants and performers, among others, include:

Jesusa Rodriguez and Liliana Felipe, performers from Mexico City
Luisa Calcumil a Mapuche artist from Patagonia
Ana Correa, member of Peruvian theater group Yuyachkani
FOMMA, a Mayan Women's Collective from Chiapas
Los Angeles-based lesbian performance group,
Butchlalis de Panochtitlan (BdP)
Tanya Lukin Linklater, First Nation Choreographer/Performer
Choreographing Identities: Christine Suarez, Rebecca Pappas, Taisha Paggett, Hana van der Kolk
Denise Uyehara:

PAGEANTRY
A work-in-progress
by Denise Uyehara in collaboration with Sri Susilowati
In the late 1930s renowned Broadway and Hollywood choreographer Michio Ito formed a dance troupe of young Asian women. He taught them dances from Indonesia, Thailand, China and Japan, but their plans to tour the U.S. were disrupted when the Japanese attacked Pearl Harbor. The U.S. government sent many of his dancers to the internment camps, along with 110,000 other Americans of Japanese ancestry. After the war some of his students danced at the China Doll nightclub in New York City, which catered to white America's fascination with the exotic oriental woman. In this interdisciplinary work Indonesian dance collides with film noir, ancient sounds of Kyoto and pan-Asian dance hall girls.


Featured Events:

Lessons in Mayan technology/VR-Sit Code and performance of an Electronic Civil Disobedience Action (ECD)
Ricardo Dominguez/Electronic Disturbance Theater

Open_borders: Improvisation Across Networks, Distance, Timezones
This event will include performances and communications across borders in real time, including improvisations at UCLA and across the Americas.
Presented by: Adriene Jenik and Charley Ten
Local performers, among others, include: Praba Pilar

Concluding Celebration: "El Maíz" performed by Jesusa Rodriguez and Liliana Felipe
Sunday November 23, 2008; 3pm
The NEW LATC (Los Angeles Theater Center)
514 South Spring St. Los Angeles, Ca 90013
(213) 489-0994












El Maíz (Corn), is a theatrical ritual based on a pre-Hispanic, Mesoamerican aesthetic that unfolds through 8 songs played by Liliana Felipe. The performance follows a sole character (played by Jesusa Rodríguez) who travels from the earth's surface to the underworld where she reactivates an ancient myth about the origins of the corn people, only to re-emerge to the surface of a world now ruled by danger and death. This is a song to the genetic diversity of our corn, both the product and sustainance of our cultural diversity.

El Maíz will be performed at The NEW LATC, a community based theater in Downtown L.A., as a part of the upcoming FACE OF THE WORLD FESTIVAL: September 12th to December 14th, 2008.
For tickets to these events please visit
FACE OF THE WORLD TICKETS (student, senior and group rates available)

Featured speakers and scholars include:

Diana Taylor, Professor of Performance Studies and Spanish at NYU; Founding director of the Hemispheric Institute of Performance and Politics
Jill Lane, Assistant Professor of Spanish and Portuguese at NYU; Deputy director of the Hemispheric Institute of Performance and Politics; Editor of e-misférica
Sue-Ellen Case, Professor and Chair Theater Critical Studies, UCLA; Director of the UCLA Center for Performance Studies
Janelle Reinelt, Professor of Theater and Performance Studies, University of Warwick
Alicia Arrizón, Professor and Chair of Women's Studies, College of Humanities, Arts, and Social Sciences at UC Riverside
Leo Cabranes-Grant , Assistant Professor of Spanish and Latin American drama and theater at UC Santa Barbara
Susan Leigh-Foster, Professor of Choreography, History and Theories of the body, UCLA Department of World Arts and Cultures
Chon Noriega, Director of UCLA Chicano Studies Research Center; Professor in UCLA's Department of Film, Television and Digital Media
Alicia Gaspar de Alba, Chair and Professor, UCLA Chicano Studies
Jon Rossini, Assistant Professor of Theater at UC Davis
David Román, Professor of English and American Studies and Ethnicity at USC
Karen Tongson, Assistant Professor of English and Gender Studies at USC
Carla Melo, Assistant Professor at Herberger College of the Arts, Arizona State University; Co-founder of Corpus Delecti



Conference Planning Committee:

Sue-Ellen Case, Director, UCLA Center for Performance Studies; Professor and Chair, Theater Critical Studies, UCLA
Susan Leigh Foster, Professor, World Arts and Cultures, UCLA
Marcela Fuentes, Mellon Postdoctoral Fellow in Theater, UCLA
Randal Johnson, Director, UCLA Latin American Center; Professor, Spanish and Portuguese, UCLA
Elizabeth Marchant, Associate Professor, Spanish and Portuguese and Women's Studies, UCLA
Chon Noriega, Director, UCLA Chicano Studies Research Center; Professor, Film and Television, UCLA
Diana Taylor, Founding Director, Hemispheric Institute of Performance and Politics; Professor, Performance Studies and Spanish, NYU
Jose Luis Valenzuela, Artistic Director, the New LATC; Professor, Theater, UCLA


Co-sponsors of the events include UC MEXUS, The UCLA International Institute, The Hemispheric Institute of Performance and Politics, The Center for the Study of Women at UCLA, The UCLA Latin American Institute, University of California International Performance and Culture Multi-Campus Research Group, UCLA Chicano Studies and Research Center, UCLA Department of World Arts and Cultures, UCLA Department of Theater, the Mellon initiative for Media, Technology, and Culture,and Art + Activism.

 

Design: Harmony Bench and Chantal Rodríguez